到2010年代，武侠片在电影市场断崖式衰落，是不争的事实。学者陈林侠在《新世纪武侠电影：西方文化冲击下的精神嬗变——兼论全球化语境中的武侠电影发展困境》一文中，以全球化的视野讨论武侠片依附的土壤的变化。陈林侠指出，现代武侠大片为实现跨文化传播、寻找国际市场，往往“试图通过技术主义与普适情感来稀释本土的文化特性，这导致着武侠精神内核的深刻位移”；还有特效的过度介入、西方个人主义叙事对传统集体道义的消解等因素，都稀释了武侠片的独特性。
Американскому сенатору стало «страшнее, чем когда либо» после брифинга по Ирану02:37
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Hall began working in the jail a few months after Friedmann arrived. They didn’t meet at the time, but their lives intersected in other ways. Like Friedmann, Hall had a difficult relationship with his emotionally distant father, a salesman and a Nashville city councilman. And, like Friedmann, he liked a good crime thriller. He’d been inspired to go into law enforcement after reading Vincent Bugliosi’s “Helter Skelter: The True Story of the Manson Murders.” He reread it many times, always coming away fascinated and frustrated. “I kept thinking, If I keep reading this, it’s going to say, ‘And he was born with twelve toes,’ ” Hall recalled. “I really thought there was going to be an answer to why he did it.” But Manson was inscrutable. Hall couldn’t accept that. He kept asking why. Why do people end up in jail? Why do they so often return to it? He took girls on dates to the Nashville night court. Hall told me, “The ‘Why?’ is who I am.”